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2102154 | 65 | | AIGA New York Chapter | Designing Audiences (Fresh Dialogue, 8) | 2024 | pdf | 2/3/2024 3:04:16 AM | maveriks |
2101011 | 138 | | Huw D. Jones | Transnational European Cinema: Representation, Audiences, Identity (Palgrave European Film and Media Studies) | 2024 | rar | 1/29/2024 12:17:26 AM | topron |
2098052 | 42 | | Beretta E. Smith-Shomade | Watching While Black Rebooted!: The Television and Digitality of Black Audiences | 2024 | pdf | 1/17/2024 4:41:16 AM | maveriks |
2089290 | 52 | | Bridgette Wessels | Film audiences: Personal journeys with film | 2024 | pdf | 12/8/2023 6:40:58 PM | alex21s |
2078883 | 98 | | Jasmine Nadua Trice | City of Screens: Imagining Audiences in Manila's Alternative Film Culture | 2024 | pdf | 9/19/2023 9:27:44 PM | gestalt |
2074465 | 44 | | Alice Guilluy | 'Guilty Pleasures': European Audiences and Contemporary Hollywood Romantic Comedy (Library of Gender and Popular Culture) | 2021 | pdf | 8/23/2023 10:58:03 PM | risotor |
2072686 | 28 | | Gregory A. Waller | Beyond the Movie Theater: Sites, Sponsors, Uses, Audiences | 2021 | pdf | 8/16/2023 10:32:16 AM | alex21s |
2070911 | 87 | | Gerald R. Butters Jr. | From SWEETBACK to SUPER FLY: Race and Film Audiences in Chicago's Loop | 2021 | epub | 8/10/2023 7:08:53 AM | gestalt |
2068840 | 109 | | Kara A. Doyle | The Reception of Chaucer's Shorter Poems, 1400-1450: Female Audiences, English Manuscripts, French Contexts (Chaucer Studies, 48) | 2021 | pdf | 8/5/2023 2:10:04 AM | eternal |
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